John Brockman: A Portrait : The World Mind That Came In From the Counterculture
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A blueprint for the Internet
Brockman’s life-story begins with the proclamation: „I want to go to New York.“ He was three years old at the time, lying in a Boston hospital, seriously ill with cerebrospinal meningitis, and these are said to have been the first words he spoke when he woke up from a six-week coma. He finally made it to New York at the age of 20—enrolling as a graduate student at Columbia University where he completed a degree in business. After this he worked within the financial services industry, not that his life revolved exclusively around money and transactions at the time. The crazy 1960s burst into life and Brockman felt compelled to immerse himself in the vibrant cultural mix. He experienced the New York underground for himself on the stage of the Living Theater. It was culture shock, a call to action, an invitation to engage. But Brockman didn’t participate in the avant-garde experiments with his banjo and guitar, but with his gift for organization. Today we would probably call him a cultural impresario.
New York gave him confidence, telling him „You can be free.“ He didn’t need to be told twice. With Sam Shepard, who was still working as a waiter, he discussed ideas for „intermedia“ stage performances. In no time he had become an indispensable part of the multimedia theater and film scene. He was entrusted by Jonas Mekas, the great father of experimental film in the U.S., with commissioning films from Nam June Paik and Robert Rauschenberg for an „expanded“ film festival. His organizational skills even got him into the Lincoln Center Film Festival where he presented the work of newcomers like Martin Scorsese when he wasn’t escorting European guests—with names like Federico Fellini and Jean-Luc Godard—out to dinners. Even Jackie Kennedy, still not an Onassis, makes an appearance in the background during this period.
While the stars of Allen Ginsberg, William Burroughs and the Beatniks were slowly fading, and the folk scene around Bob Dylan dawning, Brockman was spending time working with Andy Warhol. But the drug-sodden collective in the Factory wasn’t for him. He needed to be his own master. For the same reason, things didn’t work out with the countercultural Yippies, after his friend Abbie Hoffman recruited him for the founding meetings of the movement. Brockman had no interest in revolution. However: „The ideas behind it interested me.“ Cage taught him how to perceive the non-linear structure of reality using cybernetics. With hindsight he came to feel this was „like a construction diagram for the Internet.“ He wrote a book with the title By the Late John Brockman, an aphoristic volume of his various insights and experiences.
In the circle of elites
And then, at MIT in 1965, he finally came face to face with a computer. There is precisely one example of this type of computer, a humungous contraption, surrounded by busy men in white lab coats, and secured behind a glass screen against which he pressed his nose. „I fell in love on the spot. It was pure magic.“ Brockman had no more doubts whatsoever that everything was interconnected: the arts and the sciences and the psychedelic shows with their flashing strobes, through whose cacophony of sound Marshall McLuhan trumpeted his theory of communications.
